He was in two minds about something. In South Park, who exactly is Mr. Hat? Who does he stand in for? Sex (not Mr. Hat; I’ve moved on). Chef likes to sing about the sweet lovin’, but when Kathie Lee wants more, Chef says, ... “I just gave you some 5 minutes ago, are you trying to kill me?” But, it’s nice to be close. Somehow buried her(e), perhaps 10cm deep, which is kind of embarrassing I can only but imagine, is a notion that promiscuity has a purpose, sex can be completely impersonal, but it has to be acted personally. Because, don’t males drowse off into a pleasant state (do they Peter? No, you have parvors and you have to be kept awake? What kind of a person of Slavic—timid perhaps—descent are you?! I’m actually pretty much Anglo).
In that way, my headache lasted between three and four years, the doctors are unsure, rather than the usual few months for my stress condition. At one point “they” said, it’s too late.
Never.
I will put up suggestions on how to deal with the issues raised on South Park, of which there are vary many. By the way, this headache thing is really a projection of the the very first episode, 01x01, which involves Cartman getting an anal probe. Next time I will go into a deeper analysis of the show. It’s more than “I think I learned something today,” though such a straightforward sentiment is useful for pointing certain people in the right direction.
I hope, just because I write these lame-o commentaries, I am not mistaken for one such person. On Labor Day I wear muted tones with my single red item of clothing—the latter being a tradition.
Above is I have idea, and below is... try to figure out what it says.
When do you decide when enough is enough? You have too know first that there is something of which there can be enough. I have a very pretty and nice smelling boxset of 33 1/3 singles and a CD-ROM called A Box Full of Ghosts. The 7”s are by TV Pow/Liminal, Kazumoto Endo/Incapacitants, and Christian Marclay/Otomo Yoshihide; and the CD-ROM with videos from Otomo Yoshihide, Melt Banana, Xome, TV Pow, Liminal, Flexible Products. It was a 42nd birthday present to Peter from a pretty amazing guy. I’m still wondering about, well, (Peter here) I made a piece in January 2003, which was an especially snowy/icy winter, the worst we had had in New England for quite some time. The streets were long mirrors with white dashes visible down them. Pretty clean though. The piece had two versions, and I combined them (mainly because in the first version, my parents called me, and I forgot I was recording a live filtering performance, and there is a five minute blank in it; I liked it but people didn’t—from which we can conclude I am not “people,’ well, perhaps plural).
The second version had some contorted title, something like “Song For Wh*” meaning whom, what, when, where, etc. The first version is called Repeat Love Offence. (I gave it the English spelling. It looks kind of weird, so I think I’ll change it.) The first version is called Repeat Love Offense. Nothing really having to do with apparent offenses, more demands made on people, males. I have felt manipulated, used, abused (but not quite body-raped, though I would say mind-raped), sexually. That’s all. At least I don’t carry my seminal fluid in my neck, because I imagine I’d end up having my head bitten off. Oh, perhaps I’d like to be a Preying Mantis, because I don’t like my head.
Meet wonderful ex-girlfriend (who’s name starts with A). I have had two girlfriends named Andrea (okay, we’ve each had one). This is the London one, a really wonderful person. Alive, and kicking organ pedals in some of the best churches in England. She’s an organ virtuoso. The other sadly is terminally ill; I suppose chronically and acutely ill would have applied too. Unfortunately she is not in the same city anymore, and keeps to herself. We all respond to these things differently. But I feel as if a little prayer of hers sits within me, in my thoughts. That might be premature, and a little religious, but, there you go. Your world view has to change when your world actuality changes. But that doesn’t mean you have to like it. (It seems as if someone has photoshopped her to look a little different, but I’m used to that crap. She still look mighty fine to me.)
In December 2009, I made a piece, simply piling in some quite violent/teleological (path-seeking or -finding) sounds on top of a techno piece, “Louder” (original mix) by Jose Amnesia ft. Jennifer Rene. I called it, without putting too much thought into it, but it seemed to fit well, and now more than ever the music glove fits the brain hand (and oh how it likes to wave or waver or waive or or or), “LongMeasureInsideYourHeadJob.” However pertinent a title such as that can be—and I’d say, very Englishly, “quite”—I do not know what possessed me to call it that. It’s one word, as if the title is not fully formed, an incomplete joining of ideas such that things have got their stickiness all wrong. They need to think Lotus Effect of Beta Waves as the Heart Pulses and I Dream with Much Fear. But I am fear. The rest of my name (A here) will be explained, because there’s a whole story folded or wrapped up in it. But different. As with Apple (in my eye), Think Different. An interior monolog can.